15+ Best Lenses for Mirrorless Sony A7III of 2022

I love shooting with the Sony A7III, its incredible image quality, and its E-mount lens mount ease of use. I also love to photograph wildlife, birds, the beautiful outdoors, and nature. So for both photo and video, I need a lens that I can get to many different focal points to get the close-up or wide-angle shots I want.

In this post, I take you through the lenses I currently use with the Sony A7III that I think are the best and why I love them.

Sony FE 85mm F1.8

Brilliant, ultra-sharp, creamy Bokeh, and prevalent prime lens for Sony A7III. I never owned a prime lens before and can’t understand the big deal about this Sony FE 85mm F1.8? This 85mm F1.8 prime lens is made for photographers who like to use longer focal length primes for portrait photography and get a creamy, smooth background bokeh. The lens offers a substantial aperture for shooting shallow depth of field shots and in low-light conditions. The Sony FE 85mm F1.8 delivers fast, silent, and ultra-precise auto-focus thanks to a high-speed internal focusing mechanism. Colors and sharpness are also really stunning, razor-sharp, and top-tier for this price lens. This lens produces very sharp images near the center, mainly when shot between f/4 and f/5. The Aspherical glass, which has a curved, non-spherical surface, helps minimize coma and other lens aberrations. If you want to get the most out of every megapixel in your camera, investing in a versatile, excellent, and innovative Sony lens will open your eyes.

Tamron 28-75mm F2.8 Di III RXD

Absolute Bestseller! The 28-75mm focal length is remarkably high-quality-wide enough of severe landscape shoots, but long enough to get brilliant portraits; that’s why this lens is trendy with Sony A7III photographers. Tamron’s Vibration Compensation system is built-in and features a dedicated microprocessor to deliver up to four stops of compensation. More expensive lenses have fixed apertures, so the opening doesn’t get smaller even if you zoom all the way. Remember when everyone started using prime lenses because they were sharper and better quality than zoom lenses? Well, those days are no more – the Tamron 28-75mm F2.8 Di III is just as sharp as the prime lens I’ve ever shot with. The Tamron 28-75mm F2.8 Di III exhibits some softness at very close range or the largest apertures, so it is best suited to subjects over a meter away.

If you can get close enough to the model, the lens bokeh exhibited by the Tamron 28-75mm F2.8 Di III is dreamy and creamy. Colour rendition is also dependent on the camera used, but at least with the Sony Alpha A7 III, you’ll know it’s not the lens letting you down!. I bought the Tamron 28-75mm F2.8 Di III a few years ago, and it’s a beast. Look at any wedding/portrait photographer’s bag, and you’ll most likely see the 28-75mm there.

Sony FE 28mm F2

Sony FE, 28mm F2, is very popular for documentary wedding photography. The lens is a powerful, monstrous, and adequately manufactured lens that perfectly suits the family, traveling, and wedding photographers. The Sony FE 28mm F2 is our favorite choice if you want an affordable prime to shoot the sky, nature, buildings, and even wedding events, and it’s even better than Sony’s previous already good wide kit zoom. If you are coming from a kit lens, you’ll appreciate Gadgetine picks F2.0 maximum aperture – because most kit zooms stop at f/3.5 or f5.6. Meanwhile, AF is fast and accurate – as we’ve come to expect from modern camera lenses. The Sony FE 28mm F2 weighs in at just 200g, making it an excellent choice for people whose primary concern is the weight for documental wedding photography. The Sony FE 28mm F2 is dull and takes terrific, superb, and lifelike photos. This lens produces very sharp images near the center, mainly when shot between f/4 and f/5. Very minimal barrel distortion is present near the edges of photos shot with this lens. Lastly, this Sony FE 28mm F2 is one of the most impeccable, supreme, and beautiful lens pieces that will fit your Sony A7III.

Sony Distagon T FE 35mm F1.4 ZA

The sharpest, punchy colors, the most beautiful Bokeh, the best lens ever made for Sony A7III! This lens has a high-speed F1.4 maximum aperture for shallow depth of field control, very low-light shooting, and super-fast shutter speeds. This lens produces very sharp images near the center, mainly when shot between f/4 and f/5. There may be a little bit of vignetting and the occurrence of colored fringing, but both are easily corrected in RAW conversions. Photographers who like shooting portraits with a shallow depth of field will love this lens and the beautiful Bokeh. This lens is tack-sharp in the middle, and the sides of the lens have a very soft finishing. 35mm is a trendy focal length for weddings photography, and the versatile Sony Distagon T FE 35mm, F1.4 ZA lens is one of the best options for 35mm FF shooters.

Zeiss Batis 85mm F1.8

The Zeiss Batis 85mm F1.8 is more expensive than the Sony 85mm, but Zeiss offers superb image quality and versatile autofocus. The glass is a top-grade choice if you want to shoot colorful weddings, Bokeh, and fabulous traveling photos. One of the essential advantages of the Zeiss Batis 85mm F1.8 is its superior build quality. This is a beautiful, excellent mm/ Prime you can buy for your severe Sony Alpha A7 III. This reputable Zeiss Batis 85mm F1.8 lens is stellar. The versatile photos’ feeling, lifelike details, and style are incomparable. Probably the high-grade, top-grade new Zeiss usual you can buy. Surprising Bokeh, versatile, advanced performance. Sharpness is decent at f/1.8, but stopping the lens down to f/4-f/8 indeed yields the best results if capturing the dreamy images is your primary concern. Overall, we found the Zeiss Batis 85mm F1.8 to be an excellent value, with its fast maximum aperture, solid construction, and competitive price.

Sony FE 70-200mm F4 G OSS

We call the Sony FE 70-200mm F4 G OSS the winner for a wedding, concert, and portrait photography. Colors are precise and vibrant, so JPEG shooters who don’t want to spend any time behind a computer can be confident of nailing the shot straight out of Sony Alpha A7 III. I was cheerfully stunned by how stunning Bokeh can be produced at F4.0 with this lens. This lens is very sharp around f/4 and, for the price, provides excellent Bokeh. Ghosting and sun flare are minimal with this lens, although its Bokeh leaves something desired. Performance is good in most respects, with quick and fast autofocus.

Weight & Size – Don’t forget that telephoto lenses are the heaviest of a tripod or at least a monopod; it is a must if you want to shoot for hours. Investing in a high-quality lens will get you more bang for your buck than putting that money toward a new body. It does offer a lot of zooms but nothing unrealistic, the aperture stays at f/4 throughout the whole zoom, and Vibration Reduction is a big plus when working with longer lengths.

Sony FE 70-200mm F2.8 GM OSS

The Sony FE 70-200mm F2.8 GM OSS is the most affordable Sony prime lens offers sharp image quality and ultimate autofocus. It is very suitable for all-purpose shooting, and it’s very compact for its focal range. Sony FE 70-200mm F2.8 GM OSS has a wide constant maximum aperture of f/2.8, making them great for low light shooting and for portraits and other subjects where you want to create a shallow depth of field effect. The AF, when coupled with a decent DSLR, is ultra-fast, confident, and very usable for family or portrait. The only downside is that it’s not as light as the lenses above but is still manageable at 1480g. This upstanding lens is impressive. The excellent images’ feelings, contrasty details, and style are incomparable. Remember when everyone started using prime lenses because they were sharper and better quality than zoom lenses?

Well, those days are no more – the Sony FE 70-200mm F2.8 GM OSS is just as sharp as a prime lens. Very minimal barrel distortion is present near the edges of photos shot with this lens. Somewhat, the Sony FE 70-200mm F2.8 GM OSS is a gem of a lens to have in your camera bag.

Sony FE 24-70mm F4 ZA OSS CZ

This lens is ideal for environmental portraits, for detail shots at weddings, and as a walk-around lens at events. Colors are precise and vibrant, so JPEG shooters who don’t want to spend any time behind a computer can be confident of nailing the shot straight out of Sony Alpha A7 III. I was pleasantly surprised by how stunning Bokeh can be produced at F4.0 with this lens. It does get softer at 24-70mm as expected, but stopping down to ~f/8 dramatically improves sharpness. As expected with a lens with this focal range, some barrel distortion is evident in photos post-processing in Lightroom or Photoshop may correct these effects. Performance is good in most respects, with quick and fast autofocus. The Sony FE 24-70mm F4 ZA OSS CZ weighs in at just 426g, making it an excellent choice for people whose primary concern is weight. Investing in a high-quality lens will get you more bang for your buck than putting that money toward a new body. It does offer a lot of zooms but nothing unrealistic, the aperture stays at f/4 throughout the whole zoom, and Vibration Reduction is a big plus when working with longer lengths.

Sony FE 24-70mm F2.8 GM

The Sony FE 24-70mm F2.8 GM from Sony is a stellar, fascinating, top-tier, and surprising Zoom superb for Sony Alpha A7 III. The 24-70mm lens is extremely popular with every brand, and Sony is no exception. The lens offers a considerable aperture for shooting shallow depth of field shots and for shooting in low-light conditions.

The AF, when coupled with a decent DSLR, is ultra-fast, confident, and very usable for portrait or Bokeh. The only downside is that it’s not as light as the lenses above but is still manageable at 886g. Colour rendition is also dependent on the camera used, but at least with the Sony Alpha A7 III, you’ll know it’s not the lens letting you down! This monstrous lens produces reasonably sharp images in the center at F2.8 and is significantly sharp by the time you hit f/5.6. This lens doesn’t have considerable distortion, but it does exhibit a reasonably large amount of sun glare when the sun is near the frame. Lastly, it is a good lens for family photography when used in the aperture, shutter, or manual mode because it gives lower ISO values allowing for larger prints.

Sony FE 85mm F1.4 GM

To take your photography to the next level, you’ll want to begin building your arsenal of significant lenses. The glass is the best choice if you’re going to shoot lifelike portraits, traveling, and astonishing family photos. Besides, the metallic barrel, rubber grip focus ring, and generously sized switches add up to an ergonomic experience that’s satisfying and feels creative. I love this lens because it is light, compact, high-quality, sharp, capable of producing versatile Bokeh and dreamy images. With the sun at your back, images from the Sony FE 85mm F1.4 GM are detailed, colorful, contrasty, and fabulously expressive.

If budget isn’t a concern or you merely want the best for your camera, the Sony FE 85mm F1.4 GM is the way to go. Combined with the F1.4 aperture, your background will look blurry, and that’s what makes your subject stand out. Overall, this enhanced and modified Sony lens should be in every Sony Alpha A7 III owner’s collection.

Sony FE 24mm F1.4 GM

This is one of the most popular lenses around for wielding portrait and wedding photographers due to the quality of the optics upgrades and versatility of the focal length. With the sun at your back, images of the Sony FE 24mm F1.4 GM are expressive, lifelike, eye-popping, and highly dreamy. If you can get close enough to the model, the lens bokeh exhibited by the Sony FE 24mm F1.4 GM is smooth and creamy. Remember when everyone started using prime lenses because they were sharper and better quality than zoom lenses? Well, those days are no more – the Sony FE 24mm F1.4 GM is just as sharp as the prime lens I’ve ever shot with. The Aspherical glass, which has a curved, non-spherical surface, helps minimize coma and other lens aberrations. The AF, when coupled with a decent DSLR, is ultra-fast, confident, and very usable for traveling or Bokeh. Ultra-compact and lightweight, this is a lens you’ll be happy to take anywhere. Price – Price is important, but it isn’t a place where you should skimp with glasses. Fast F1.4 maximum aperture is well-suited for working in low-light conditions to get stellar photos with blurred backgrounds.

Sigma 105mm F1.4 DG HSM Art

The Sigma 105mm F1.4 DG HSM Art is the real bokeh KING and offers superb image quality, tack-sharp portraits, and very creamy and unseen Bokeh. The Sigma 105mm F1.4 DG HSM Art is a superior choice to shoot expressive Bokeh and extraordinary portrait photos. This Sigma lens has been designed using an advanced optical structure to achieve both creamy Bokeh and excellent details. We were impressed with both the image quality and the responsiveness of the lens autofocus. And the visual photo quality in my tests proved to be very respectable and sharp across the entire range. Let’s say that if sharpness, clarity, and low-light performance/ability to blur the background are most important to you, then this remarkable, excellent lens is a good choice. Sharpness is decent at f/1.8, but stopping the lens down to f/4-f/8 indeed yields the best results if capturing the colorful photos is your primary concern. Overall, this Sigma 105mm F1.4 DG HSM Art lens is one of the most impeccable, stunning, and beautiful pieces of glass that will fit you.

Sony FE 90mm F2.8 Macro G OSS

This is a superb, excellent, extraordinary, and momentous lens for sophisticated users. The glass is a high-grade choice if you want to shoot expressive traveling, Bokeh, and stellar wedding photos. One of the crucial advantages of the Sony FE 90mm F2.8 Macro G OSS is its top-grade build quality. I love this excellent, respectable lens and often use it on my Sony Alpha A7 III. This clear lens is superb. The beautiful photos’ feelings, lifelike details, and style are incomparable. The contrast and saturation are astonishing.

If budget isn’t a concern or you want the best for your camera, the Sony FE 90mm F2.8 Macro G OSS is the way to go. F2.8 on the Sony FE 90mm F2.8 Macro G OSS seems to be the sweet spot regarding center sharpness combined with the excellent Bokeh. If you can only afford to splurge on one thing, it should be your lens.

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